An arrest for cocaine possession on the last day of a sweltering New York summer leaves Smith, a queer Black Stanford graduate, in a state of turmoil. Pulled into the court system and mandated treatment, he finds himself in an absurd but dangerous situation: his class protects him, but his race does not. It’s just weeks after the death of his beloved roommate Elle, the daughter of a famous soul singer, and he’s still reeling from the tabloid spectacle—as well as lingering questions around how well he really knew his closest friend. He flees to his hometown of Atlanta, only to buckle under the weight of expectations from his family of doctors and lawyers and their history in America. But when Smith returns to New York, it’s not long before he begins to lose himself to his old life—drawn back into the city’s underworld, where his search for answers may end up costing him his freedom and his future. Smith goes on a dizzying journey through the nightlife circuit, anonymous recovery rooms, Atlanta’s Black society set, police investigations and courtroom dramas, and a circle of friends coming of age in a new era. Great Black Hope is a propulsive, glittering story about what it means to exist between worlds, to be upwardly mobile yet spiraling downward, and how to find a way back to hope.
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Maggie; Or, a Man and a Woman Walk Into a Bar
A man and a woman walk into a restaurant. The woman expects a lovely night filled with endless plates of samosas. Instead, she finds out her husband is having an affair with a woman named Maggie. A short while after, her chest starts to ache. She walks into an examination room, where she finds out the pain in her breast isn’t just heartbreak—it’s cancer. She decides to call the tumor Maggie. Unfolding in fragments over the course of the ensuing months, Maggie; Or, a Man and a Woman Walk Into a Bar follows the narrator as she embarks on a journey of grief, healing, and reclamation. She starts talking to Maggie (the tumor), getting acquainted with her body’s new inhabitant. She overgenerously creates a “Guide to My Husband: A User’s Manual” for Maggie (the other woman), hoping to ease the process of discovering her ex-husband’s whims and quirks. She turns her children’s bedtime stories into retellings of Chinese folklore passed down by her own mother, in an attempt to make them fall in love with their shared culture—and to maybe save herself in the process. In the style of Jenny Offill and the tradition of Nora Ephron’s hilarious and devastating writing on heartbreak and womanhood, Maggie is a master class in transforming personal tragedy into a form of defiant comedy.
The Paris Express
Based on an 1895 disaster that went down in history when it was captured in a series of surreal, extraordinary photographs, The Paris Express is a propulsive novel set on a train packed with a fascinating cast of characters who hail from as close as Brittany and as far as Russia, Ireland, Algeria, Pennsylvania, and Cambodia. Members of parliament hurry back to Paris to vote; a medical student suspects a girl may be dying; a secretary tries to convince her boss of the potential of moving pictures; two of the train’s crew build a life away from their wives; a young anarchist makes a terrifying plan, and much more.
Destroy This House
The Long family’s love was fierce, their lifestyle bizarre, and their deceptions countless. Once her parents were gone, Amanda Uhle realized she was closer to them than anyone else, yet she found herself utterly confounded by the lives they had led. Amanda’s striving fashion designer mother and her charismatic wheeler-dealer father wove a complex life together that spanned ten different homes across five states over forty perplexing years. Throughout her childhood, as her mother’s hoarding disorder flourished and her father’s schemes crumbled, contradictions abounded. They bartered for dental surgery and drove their massive Lincoln Town Car to the food bank. When financial ruin struck, they abandoned their repossessed mansion for humble parish housing, and Amanda’s father became a preacher. They swung between being filthy rich and dirt poor, devious and virtuous, lonely and loved, fake and real. In Destroy This House, Amanda sets out to document her parents’ unbelievable exploits and her own hard-won escape into independence. With humor and tenderness, Uhle has crafted a heartfelt and utterly unique memoir, capturing the raucousness, pain, joy, and ultimately, the boundless love that exists between all parents and children.