Dominic Smith’s The Electric Hotel winds through the nascent days of cinema in Paris and Fort Lee, New Jersey—America’s first movie town—and on the battlefields of Belgium during World War I. A sweeping work of historical fiction, it shimmers between past and present as it tells the story of the rise and fall of a prodigious film studio and one man’s doomed obsession with all that passes in front of the viewfinder.
For nearly half a century, Claude Ballard has been living at the Hollywood Knickerbocker Hotel. A French pioneer of silent films, who started out as a concession agent for the Lumière brothers, the inventors of cinema, Claude now spends his days foraging mushrooms in the hills of Los Angeles and taking photographs of runaways and the striplings along Sunset Boulevard. But when a film-history student comes to interview Claude about The Electric Hotel—the lost masterpiece that bankrupted him and ended the career of his muse, Sabine Montrose—the past comes surging back. In his run-down hotel suite, the ravages of the past are waiting to be excavated: celluloid fragments and reels in desperate need of restoration, and Claude’s memories of the woman who inspired and beguiled him.
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The Wild Oats Project
What if for just one year you explored everything you’d wondered about sex but hadn’t tried?
The project was simple: An attractive, successful magazine journalist, Robin Rinaldi, would move into a San Francisco apartment, join a dating site, and get laid. Never mind that she already owned a beautiful flat a few blocks away, that she was forty-four, or that she was married to a man she’d been in love with for eighteen years. What followed—a year of sex, heartbreak, and unexpected revelation—is the topic of this riveting memoir, The Wild Oats Project.
An open marriage was never one of Rinaldi’s goals—her priority as she approached midlife was to start a family. But when her husband insisted on a vasectomy, she decided that she could remain married only on her own terms. If I can’t have children, she told herself, then I’m going to have lovers. During the week she would live alone, seduce men (and women), attend erotic workshops, and partake in wall-banging sex. On the weekends, she would go home and be a wife.
At a time when the bestseller lists are topped by books about eroticism and the shifting roles of women, this brave memoir explores how our sexuality defines us—and it delivers the missing link: an everywoman’s account of sex. Combining the strong literary voice of Cheryl Strayed’s Wild with the adventurousness of Elizabeth Gilbert’s Eat, Pray, Love, The Wild Oats Project challenges our sensibilities and evokes the delicate balance between loving others and staying true to oneself.