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The Death of Vivek Oji

A dramatic and deeply moving novel of three generations coping with secrets, violence, and grief, against a backdrop of political and social unrest.
They burned down the market on the day Vivek Oji died.
One afternoon, in a town in southeastern Nigeria, a mother opens her front door to discover the lifeless body of her son wrapped in fabric on the welcome mat. The story of that child, Vivek Oji, is the story of two families from disparate cultures who came together in a time of upheaval, and of Vivek’s struggle to be true to a self whose spirit and longings defy conventional expectations. Raised by a privileged, distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, fugue states that disrupt all connection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women resettled in the area. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand his friend’s escalating crisis—the mystery of Vivek’s behavior gives way to a heart-stopping act of violence in a moment of transcendent freedom.
Propulsively readable, teeming with vivid and unforgettable characters, The Death of Vivek Oji is a story of family and friendship that challenges expectations at every turn. It is a major step forward from a writer of rare insight into the porous barriers between body and identity, spirit, and self.

The Vanishing Half

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?

On Swift Horses

A lonely newlywed and her wayward brother-in-law follow divergent and dangerous paths through the postwar American West.
Muriel is newly married and restless, transplanted from her rural Kansas hometown to life in a dusty bungalow in San Diego. The air is rich with the tang of salt and citrus, but the limits of her new life seem to be closing in: She misses her freethinking mother, dead before Muriel’s nineteenth birthday, and her sly, itinerant brother-in-law, Julius, who made the world feel bigger than she had imagined. And so she begins slipping off to the Del Mar racetrack to bet and eavesdrop, learning the language of horses and risk. Meanwhile, Julius is testing his fate in Las Vegas, working at a local casino where tourists watch atomic tests from the roof, and falling in love with Henry, a young card cheat. When Henry is eventually discovered and run out of town, Julius takes off to search for him in the plazas and dives of Tijuana, trading one city of dangerous illusions and indiscretions for another.
On Swift Horses is a debut of astonishing power: a story of love and luck, of two people trying to find their place in a country that is coming apart even as it promises them everything.

Long Bright River

Set against the opioid crisis in Philadelphia and a string of mysterious murders, this gripping suspense novel is also an unflinching, moving story of sisters, addiction, and the formidable ties between place, history, family, and fate.
In a city rocked by the opioid crisis, one family strikes a particularly poignant profile. One sister, Kacey, has been living on the streets for years in the vise of a fierce heroin addiction. The other sister, Mickey, is the police officer whose beat includes Kacey’s regular haunts. The two don’t speak anymore, and the police department has no idea of their connection, but Mickey never stops worrying and watching over her sibling. Mickey understands what Kacey is contending with. Mickey just has different demons.
Then Kacey disappears, suddenly, at the same time that a mysterious string of murders begins within Mickey’s precinct, and Mickey panics over her sister’s safety. The victims, it seems, fit Kacey’s profile precisely. Risking her job, and maybe even the welfare of her four-year-old son, Mickey becomes dangerously obsessed with finding out what happened to her sister and the other missing women.
Alternating this present-day mystery with the story of the sisters’ childhood and adolescence, and with Mickey’s adult attempts to balance work and single-motherhood, Long Bright River is a rich and cinematic novel that is so riveting, surprising, heart-pounding and heart-wrenching, that it is impossible to look away.

Marilou is Everywhere

Consumed by the longing for a different life, a teenager flees her family and carefully slips into another –– replacing a girl whose own sudden disappearance still haunts the town. Fourteen-year-old Cindy and her two older brothers live in rural Pennsylvania, in a house with occasional electricity, two fierce dogs, one book, and a mother who comes and goes for months at a time. Deprived of adult supervision, the siblings rely on one another for nourishment of all kinds. As Cindy’s brothers take on new responsibilities for her care, the shadow of danger looms larger and the status quo no longer seems tolerable. So when a glamorous teen from a more affluent, cultured home goes missing, Cindy escapes her own family’s poverty and slips into the missing teen’s life. As Jude Vanderjohn, Cindy is suddenly surrounded by books and art, by new foods and traditions, and most important, by a startling sense of possibility. In her borrowed life she also finds herself accepting the confused love of a mother who is constitutionally incapable of grasping what has happened to her real daughter. As Cindy experiences overwhelming maternal love for the first time, she must reckon with her own deceits and, in the process, learn what it means to be a daughter, a sister, and a neighbor. Marilou Is Everywhere is a powerful, propulsive portrait of an overlooked girl who finds for the first time that her choices matter.

Naamah

A wildly imaginative novel of the reluctant heroine who rescued life on earth. With the coming of the Great Flood––the mother of all disasters––only one family was spared, drifting on an endless sea, waiting for the waters to subside. We know the story of Noah, moved by divine vision to launch their escape. Now, in a work of astounding invention, acclaimed writer Sarah Blake reclaims the story of his wife, Naamah, the matriarch who kept them alive. Here is the woman torn between faith and fury, lending her strength to her sons and their wives, caring for an unruly menagerie of restless creatures, silently mourning the lover she left behind. Here is the woman escaping into the unreceded waters, where a seductive angel tempts her to join a strange and haunted world. Here is the woman tormented by dreams and questions of her own––questions of service and self-determination, of history and memory, of the kindness or cruelty of fate. In fresh and modern language, Blake revisits the story of the Ark that rescued life on earth, and rediscovers the agonizing burdens endured by the woman at the heart of the story. Naamah is a parable for our time: a provocative fable of body, spirit, and resilience.

The Air You Breathe

The story of an intense female friendship fueled by affection, envy and pride–­­–and each woman’s fear that she would be nothing without the other. Some friendships, like romance, have the feeling of fate. Skinny, nine-year-old orphaned Dores is working in the kitchen of a sugar plantation in 1930s Brazil when in walks a girl who changes everything. Graça, the spoiled daughter of a wealthy sugar baron, is clever, well fed, pretty, and thrillingly ill behaved. Born to wildly different worlds, Dores and Graça quickly bond over shared mischief, and then, on a deeper level, over music. One has a voice like a songbird; the other feels melodies in her soul and composes lyrics to match. Music will become their shared passion, the source of their partnership and their rivalry, and for each, the only way out of the life to which each was born. But only one of the two is destined to be a star. Their intimate, volatile bond will determine each of their fortunes––and haunt their memories. Traveling from Brazil’s inland sugar plantations to the rowdy streets of Rio de Janeiro’s famous Lapa neighborhood, from Los Angeles during the Golden Age of Hollywood back to the irresistible drumbeat of home, The Air You Breathe unfurls a moving portrait of a lifelong friendship––its unparalleled rewards and lasting losses––and considers what we owe to the relationships that shape our lives.

Tell the Machine Good Night

A smart and inventive, an emotional page-turner that considers the elusive definition of happiness. Pearl’s job is to make people happy. Every day, she provides customers with personalized recommendations for greater contentment. She’s good at her job, her office manager tells her, successful. But how does one measure an emotion? Meanwhile, there’s Pearl’s teenage son, Rhett. A sensitive kid who has forged an unconventional path through adolescence, Rhett seems to find greater satisfaction in being unhappy. The very rejection of joy is his own kind of “pursuit of happiness.” As his mother, Pearl wants nothing more than to help Rhett—but is it for his sake or for hers? Certainly it would make Pearl happier. Regardless, her son is one person whose emotional life does not fall under the parameters of her job—not as happiness technician, and not as mother, either. Told from an alternating cast of endearing characters from within Pearl and Rhett’s world, Tell the Machine Goodnight delivers a smartly moving and entertaining story about relationships and the ways that they can most surprise and define us. Along the way, Katie Williams playfully illuminates our national obsession with positive psychology, our reliance on quick fixes and technology. What happens when these obsessions begin to overlap? With warmth, humor, and a clever touch, Williams taps into our collective unease about the modern world and allows us see it a little more clearly.

New People

From the bestselling author of Caucasia, a subversive and engrossing novel of race, class and manners in contemporary America. As the twentieth century draws to a close, Maria is at the start of a life she never thought possible. She and Khalil, her college sweetheart, are planning their wedding. They are the perfect couple, “King and Queen of the Racially Nebulous Prom.” Their skin is the same shade of beige. They live together in a black bohemian enclave in Brooklyn, where Khalil is riding the wave of the first dot-com boom and Maria is plugging away at her dissertation, on the Jonestown massacre. They’ve even landed a starring role in a documentary about “new people” like them, who are blurring the old boundaries as a brave new era dawns. Everything Maria knows she should want lies before her—yet she can’t stop daydreaming about another man, a poet she barely knows. As fantasy escalates to fixation, it dredges up secrets from the past and threatens to unravel not only Maria’s perfect new life but her very persona. Heartbreaking and darkly comic, New People is a bold and unfettered page-turner that challenges our every assumption about how we define one another, and ourselves.

Gold, Fame, Citrus

Unrelenting drought has transfigured Southern California into a surreal, phantasmagoric landscape. Most “Mojavs,” prevented from freely crossing borders to lusher regions, have allowed themselves to be evacuated to internment camps. In Los Angeles’ Laurel Canyon, two young Mojavs—Luz, once a poster child for the Bureau of Conservation and its enemies, and Ray, a veteran of the “forever war” turned surfer—squat in a starlet’s abandoned mansion. Holdouts, they subsist on rationed cola and whatever they can loot, scavenge, and improvise.  The couple’s fragile love somehow blooms in this arid place, and for the moment, it seems enough. But when they cross paths with a mysterious child, the thirst for a better future begins. They head east, a route strewn with danger: sinkholes and patrolling authorities, bandits and the brutal, omnipresent sun. Ghosting after them are rumors of a visionary dowser—a diviner for water—and his followers, who whispers say have formed a colony at the edge of a mysterious sea of dunes.  Immensely moving, profoundly disquieting, and mind-blowingly original, Watkins’s novel explores the myths we believe about others and tell about ourselves, the double-edged power of our most cherished relationships, and the shape of hope in a precarious future that may be our own.