Stegner Fellow, Iowa MFA, and winner of The Atlantic’s Student Writing Contest, Anthony Marra has written a brilliant debut novel that brings to life an abandoned hospital where a tough-minded doctor decides to harbor a hunted young girl, with powerful consequences.
In the final days of December 2004, in a small rural village in Chechnya, eight-year-old Havaa hides in the woods when her father is abducted by Russian forces. Fearing for her life, she flees with their neighbor Akhmed—a failed physician—to the bombed-out hospital, where Sonja, the one remaining doctor, treats a steady stream of wounded rebels and refugees and mourns her missing sister. Over the course of five dramatic days, Akhmed and Sonja reach back into their pasts to unravel the intricate mystery of coincidence, betrayal, and forgiveness that unexpectedly binds them and decides their fate.
With The English Patient’s dramatic sweep and The Tiger’s Wife’s expert sense of place, Marra gives us a searing debut about the transcendent power of love in wartime, and how it can cause us to become greater than we ever thought possible.
A dazzling novel from one of our finest writers—an epic yet intimate family saga about three generations of All-American radicals.
At the center of Jonathan Lethem’s superb new novel stand two extraordinary women. Rose Zimmer, the aptly nicknamed “Red Queen” of Sunnyside, Queens, is an unreconstructed Communist and mercurial tyrant who terrorizes her neighborhood and her family with the ferocity of her personality and the absolutism of her beliefs. Her brilliant and willful daughter Miriam is equally passionate in her activism, but flees Rose’s suffocating influence and embraces the Age of Aquarius counterculture of Greenwich Village.
Both women cast spells that entrance or enchain the men in their lives: Rose’s aristocratic German Jewish husband Albert; her nephew the feckless chess hustler Lenny Angrush; Cicero Lookins, the brilliant son of her black cop lover; Miriam’s (slightly fraudulent) Irish folk singing husband Tommy Gogan; their bewildered s on Sergius. These flawed, idealistic people all struggle to follow their own utopian dreams in an America where radicalism is viewed with bemusement, hostility or indifference.
As the decades pass—through the parlor communism of the ’30s, McCarthyism, the civil rights movement, ragged ’70s communes, the romanticization of the Sandinistas, up to the Occupy movement of the moment —we come to understand through Lethem’s extraordinarily vivid storytelling that the personal may be political, but the political, even more so, is personal.
Brilliantly constructed as it weaves across time and among characters, Dissident Gardens is riotous and haunting, satiric and sympathetic, and a joy to read.
