When a new home owner realizes her emergency contractor is her horrible ex’s best friend, it’s nothing compared to the shock of finding a divorce decree hidden in the wall—with their names on it and dated ten years in the future. With echoes of Rebecca Searle’s In Five Years and Tessa Bailey’s Fix Her Up, New York Times bestselling author Kylie Scott’s rom com debut is a whimsical delight.
A burnt-out writers’ retreat at a grand hotel is interrupted by a murder mystery in this metafictional, meticulously crafted whodunit from internationally bestselling author Joël Dicker. One night in December, a corpse is discovered in Room 622 of the Hotel Verbier, a luxury resort in the Swiss Alps. The murder is never solved. Years later, Joël Dicker, Switzerland’s most famous writer, flees to Verbier to recover from a breakup, mourn the death of his longtime publisher, and begin his next novel. Little does Joël know that his page-turning expertise will prove essential when he assumes a new role: detective. Meanwhile, Macaire Ebezner is set to succeed as president of the largest private bank in Switzerland. The succession captivates the media, but the bank’s board, including a certain Lev Levovitch “Geneva’s Gatsby” are not as charmed by the heir apparent, and Macaire’s race to the top soon becomes a race against time…A European phenomenon, The Enigma of Room 622 is a matryoshka doll of intrigue, built with the precision of a Swiss watch. Joël Dicker presents a diabolically addictive thriller whose twists and turns no reader will see coming.
Edi and Ash have been best friends for over forty-two years. They’ve shared the mundane and the momentous together: trick or treating and binge drinking; Gilligan’s Island reruns and REM concerts; hickeys and heartbreaks; surprise Scottish wakes; marriages, infertility, and children. As Ash says, “Edi’s memory is like the backup hard drive for mine.” But now the unthinkable has happened. Edi is dying of ovarian cancer and spending her last days at a hospice near Ash, who stumbles into heartbreak surrounded by her daughters, ex(ish)-husband, dear friends, a poorly chosen lover (or two), and a rotating cast of beautifully, fleetingly human hospice characters. As the Fiddler on the Roof soundtrack blasts all day long from the room next door, Edi and Ash reminisce, hold on, and try to let go. Meanwhile, Ash struggles with being an imperfect friend, wife, and parent—with life, in other words, distilled to its painful, joyful, and comedic essence.
A stunning and witty debut novel about a young woman’s emotional journey through unimaginable loss, pulled along by her tight-knit Nigerian family, a posse of new friends, and the love and laughter she shared with her husband. Onyi Nwabineli is a fresh new voice for fans of Yaa Gyasi, Queenie and I May Destroy You.
The acclaimed, bestselling author of This Could Hurt returns with her biggest, boldest novel yet—an electrifying, twisty, and deeply emotional family drama, set on Manhattan’s glittering Upper East Side, that explores the dark side of love, the limits of loyalty, and the high cost of truth.
You can have everything, and still not have enough. Cassie Quinn may only be twenty-three, but she knows a few things. One: money can’t buy happiness, but it’s certainly better to have it. Two: family matters most. Three: her younger brother Billy is not a rapist. When Billy, a junior at Princeton, is arrested for assaulting his ex-girlfriend, Cassie races home to Manhattan to join forces with her big brother Nate and their parents, Lawrence and Eleanor. The Quinns scramble to hire the best legal minds money can buy, but Billy fits the all-too-familiar sex-offender profile—white, athletic, and privileged—that makes headlines and sways juries. Meanwhile, Cassie struggles to understand why Billy’s ex Diana would go this far, even if the breakup was painful. And she knows how the end of first love can destroy someone: Her own years-long affair with a powerful, charismatic man left her shattered, and she’s only recently regained her footing. As reporters converge outside their Upper East Side landmark building, the Quinns gird themselves for a media-saturated trial, and Cassie vows she’ll do whatever it takes to save Billy. But what if that means exposing her own darkest secrets to the world? Lightning-paced and psychologically astute as it rockets toward an explosive ending, When We Were Bright and Beautiful is a dazzling novel that asks: who will pay the price when the truth is revealed?
A witty and wildly enjoyable novel, set in New York City, about two adult daughters and their meddling advice columnist mother. Popular advice columnist Wendy Wise has been skillfully advising the women who write to her seeking help for four decades, so why are her own daughters’ lives such a mess? Clementine, the working mother of a six-year-old boy, has just discovered that she is actually renting the Queens home that she thought she owned, because her husband Steve secretly funneled their money into his flailing start-up. Meanwhile, her sister Barb has overextended herself at her architecture firm and reunited semi-unhappily with her cheating girlfriend.
When Steve goes MIA and Clementine receives an eviction notice, Wendy swoops in to save the day, even though her daughters, who are holding onto some resentments from childhood, haven’t asked for her help. But as soon as Wendy sets her sights on hunting down her rogue son-in-law, Barb and Clementine quickly discover that their mother has been hiding more than a few problems of her own. As the three women confront the disappointments and heartaches that have accumulated between them over the years, they discover that while the future may look entirely different from the one that they’ve expected, it may be even brighter than they’d hoped.
An extraordinary, untold story of the Second World War in the vein of Unbroken and The Boys in the Boat, from the author of Friday Night Lights and Three Nights in August. When the Japanese attacked Pearl Harbor, college football was at the height of its popularity. As the nation geared up for total war, one branch of the service dominated the aspirations of college football stars: the United States Marine Corps. Which is why, on Christmas Eve of 1944, when the 4th and 29th Marine regiments found themselves in the middle of the Pacific Ocean training for what would be the bloodiest battle of the war —the invasion of Okinawa—their ranks included one of the greatest pools of football talent ever assembled: Former All Americans, captains from Wisconsin and Brown and Notre Dame, and nearly twenty men who were either drafted or would ultimately play in the NFL. When the trash-talking between the 4th and 29th over who had the better football team reached a fever pitch, it was decided: The two regiments would play each other in a football game as close to the real thing as you could get in the dirt and coral of Guadalcanal. The bruising and bloody game that followed became known as “The Mosquito Bowl.” Within a matter of months, fifteen of the 64 the players in “The Mosquito Bowl” would be killed at Okinawa, by far the largest number of American athletes ever to die in a single battle. The Mosquito Bowl is the story of these brave and beautiful young men, those who survived and those who did not. It is the story of the families and the landscape that shaped them. It is a story of a far more innocent time in both college athletics and the life of the country, and of the loss of that innocence. Writing with the style and rigor that won him a Pulitzer Prize and have made several of his books modern classics, Buzz Bissinger takes us from the playing fields of America’s campuses where boys played at being Marines, to the final time they were allowed to still be boys on that field of dirt and coral, to the darkest and deadliest days that followed at Okinawa.
What would happen if we called on God for help and God actually appeared? In Mitch Albom’s profound new novel of hope and faith, a group of shipwrecked passengers pull a strange man from the sea. He claims to be “the Lord.” And he says he can only save them if they all believe in him. Adrift in a raft after a deadly ship explosion, nine people struggle for survival at sea. Three days pass. Short on water, food and hope, they spot a man floating in the waves. They pull him in.
“Thank the Lord we found you,” a passenger says.
“I am the Lord,” the man whispers.
So begins Mitch Albom’s most beguiling and inspiring novel yet.
Albom has written of heaven in the celebrated number one bestsellers The Five People You Meet in Heaven and The First Phone Call from Heaven. Now, for the first time in his fiction, he ponders what we would do if, after crying out for divine help, God actually appeared before us? What might the Lord look, sound and act like?
In The Stranger in the Lifeboat, Albom keeps us guessing until the end: Is this strange and quiet man really who he claims to be? What actually happened to cause the explosion? Are the survivors already in heaven, or are they in hell?
The story is narrated by Benji, one of the passengers, who recounts the events in a notebook that is later discovered—a year later—when the empty life raft washes up on the island of Montserrat. It falls to the island’s chief inspector, Jarty LeFleur, a man battling his own demons, to solve the mystery of what really happened.
A fast-paced, compelling novel that makes you ponder your deepest beliefs, The Stranger in the Lifeboat suggests that answers to our prayers may be found where we least expect them.
In this relentlessly twisty literary thriller from New York Times bestselling author Kimberly McCreight, a desperate intervention brings together a group of college friends 10 years after graduation—a reunion marked by lies, betrayal, and murder.
Everyone has those friends. Doesn’t matter how long it’s been, or how badly they’ve occasionally behaved, or how late it is when that call finally comes—you show up. No questions asked. Honestly, that’s how the five of us ended up here in the Catskills. We did have the best of intentions. Especially after what happened to Alice all those years ago, we can’t bear to think of losing anyone else. In fact, we’ll do anything to make sure that doesn’t happen. We’ll go so much farther than we ever thought we would. In the end, maybe that’s what caught up with us. That, and the fact that we’re such a complicated group—so much history and so many big personalities. Secrets, too, that can slip out at the most inopportune moments. Of course, we love each other despite all of those things. We love each other no matter what. There’s something so beautiful about that kind of unconditional love. It can turn ugly, though. Or maybe that’s just us. After all, we’ve already been through so much together. And we have so very much to hide.
Abandoned by her parents, Olga is raised by her grandmother in a Prussian village around the turn of the 20th century. Smart and precocious, endearing but uncompromising, she fights against the prejudices of the time to find her place in a world that sees women as second-best. When Olga falls in love with Herbert, a local aristocrat obsessed with gaining all the power, glory and greatness the modern age can provide, her life is irremediably changed. Their love goes against all odds and encounters many obstacles, entwined with the twisting paths of German history, leading us from the late 19th to the early 21st century, from Germany to Africa and the Arctic, from the Baltic Sea to the German south-west. Unfolding across centuries, Olga is an epic romance, and a wrenching tale of devotion to a restless man in a fateful moment of great rebellion. Though Olga lives her life within the margins of others, her magnetic presence breathes vivid life into these pages. Told in three distinct parts—which brilliantly shift from different points of view to the epistolary form—Schlink paints a full portrait of a singular woman’s complex life.