A captivating debut novel about five generations of Vietnamese mothers and daughters, drawing on Vietnamese zodiac astrology to chart the fateful events of their lives
In present day New Orleans, Xuan Trung, former beauty queen-turned-refugee after the Fall of Saigon, is obsessed with divining her daughters’ fates through their Vietnamese zodiac signs. But Trac, Nhi and Trieu diverge completely from their immigrant parents’ expectations. Successful lawyer Trac hides her sexuality from her family; Nhi competes as the only woman of color on a Bachelor-esque reality TV show; and Trieu, a budding writer, is determined to learn more about her familial and cultural past.
As the three sisters begin to encounter strange glimpses of long-buried secrets from the ancestors they never knew, the story of the Trung women unfurls to reveal the dramatic events that brought them to America. Moving backwards in time, E.M. Tran takes us into the high school classrooms of New Orleans, to Saigon beauty pageants, to twentieth century rubber plantations, traversing a century as the Trungs are both estranged and united by the ghosts of their tumultuous history.
A “haunted story of resilience and survival” (Meng Jin, Little Gods), Daughters of the New Year is an addictive, high-wire act of storytelling that illuminates an entire lineage of extraordinary women fighting to reclaim the power they’ve been stripped of for centuries.
In her first novel inspired by a true story, New York Times bestselling author Jane Green re-imagines the glamorous and tragic life of fashion icon and socialite Talitha Getty. Claire grew up in a small town, far from the glitz and glamour of London. Ridiculed by her stepmother Linda, and harboring a painful crush on her brother’s best friend, she has begun to outgrow the life laid out before her. On the cusp of adulthood in the late 1960s, Claire yearns for the adventure and independence of a counter-culture taking root across the world. And soon enough, a chance encounter leads to an unexpected opportunity and a getaway palace in Morocco where famous artists, models, fashion designers and musicians—even the Rolling Stones—have been known to visit. When Claire arrives in Marrakesh, she’s swept up in a heady world of music, drugs and communal living. But one magnetic young woman seems to hold sway over the entire scene. Talitha Getty, socialite wife of the famous oil heir, has pulled everyone from Yves Saint Laurent to Marianne Faithfull into her orbit. Yet when she meets Claire, the pair instantly connect. As they grow closer, and the inner circle tightens, the realities of Talitha’s precarious life set off a chain of dangerous events that could alter Claire’s life forever.
In this gleefully strange and sinister debut novel for fans of Kevin Wilson and Karen Russell, readers meet Jamie. She is a Florida Woman; she wears cut-offs, thrives in humidity, has been slapped by palm frond more times than she can count, and now, after going viral for an outrageous crime she never meant to commit in the first place, she has the requisite headline to her name. So when the chance comes for her to escape viral infamy and impending jail time through a community service placement at Atlas, a wildlife refuge for exotic monkeys, it seems like just the fresh start Jamie needs to finally get her life back on track — until it’s not, because secrets lurk among the three beguiling women who run the refuge and affectionately take Jamie under their wing for the summer. She hears the distant screams of monkeys each night, the staff forgo food in the name of sacrifice, and the land, which has long been abandoned by indigenous farmers and Disney developers, now proves to be dangerously, relentlessly untamed, and her summer is soon set to become material for an even stranger Florida headline than she ever could’ve imagined.
For fans of Fredrik Backman and Gail Honeyman, a delightfully entertaining, deceptively poignant debut novel about a humanlike bot named Jared, whose emotional awakening leads him on an unforgettable quest for connection, belonging and possibly even true love.
“He fixes everything that’s wrong with you in three days.” This is what hooks Sam when he first overhears it: the story of a globe-trotting shaman who claims to perform “open-soul surgery” on emotionally damaged people. For neurotic, depressed Sam, new to Los Angeles after his life in New York imploded, the possibility of total transformation is utterly tantalizing. The shaman—who promises ancient rituals, plant medicine and encounters with the divine—seems convincing, enough for Sam to sign up for a weekend under his care. But are the great spirits the shaman says he’s summoning real? Or are the ghosts in Sam’s memory more powerful than any magic? At turns tender and acid, funny and wise, Broken People is a journey into the nature of truth and fiction—a story of discovering hope amid cynicism, intimacy within chaos and freedom in our own bodies.
Nine-year-old Samuel lives alone in a once great estate in Surrey with the family’s housekeeper, Ruth. His father is dead and his mother has been abroad for five months, purportedly tending to her late husband’s faltering business. She left in a hurry one night while Samuel was sleeping and did not say goodbye. Beyond her sporadic postcards, Samuel hears nothing from his mother. He misses her dearly and maps her journey in an atlas he finds in her study. Samuel’s life is otherwise regulated by Ruth, who runs the house with an iron fist. Only she and Samuel know how brutally she enforces order. As rumors in town begin to swirl, Samuel wonders whether something more sinister is afoot. Perhaps his mother did not leave, but was murdered—by Ruth. Channeling the masterful suspense of Daphne Du Maurier’s Rebecca and the haunting, claustrophobic atmosphere of the works of Shirley Jackson, The Boy at the Keyhole is an electrifying debut about the precarious dance between truth and perception, and the shocking acts that occur amid tightly knit quarters.
Reddick, a young, white artist, lives in Bedford-Stuyvesant, an historically black Brooklyn neighborhood besieged by gentrification. He makes rent as an art handler, hanging expensive works for Manhattan’s one percent, and spends his free time playing basketball at the local Y rather than putting energy into his stagnating career. He is also the last person to see Hannah before she disappears. When Hannah’s fiancé, scion to an old-money Upper East Side family, refuses to call the police, Reddick sets out to learn for himself what happened to her. The search gives him a sense of purpose, pulling him through a dramatic cross-section of the city he never knew existed. But the truth of Hannah’s fate is buried at the heart of a many-layered mystery that, in its unraveling, shakes Reddick’s convictions and lays bare the complicated machinations of money and power that connect the magisterial townhouses of the Upper East Side to the unassuming brownstones of Bed-Stuy. Restoration Heights is both a page-turning mystery and an in-depth study of the psychological fallout and deep racial tensions that result from economic inequality and unrestricted urban development. In lyrical, addictive prose, Wil Medearis asks the question: in a city that prides itself on its diversity and inclusivity, who has the final say over the future? Is it long-standing residents, recent transplants, or whoever happens to have the most money? Timely, thought-provoking, and sweeping in vision, Restoration Heights is an exhilarating new entry in the canon of great Brooklyn novels.
Alex Cohen, a twenty-six-year-old Jewish Bostonian, is living in a remote village in southern China, where his father runs a family-owned shoe factory. Lost and searching, Alex reluctantly assumes the helm of the company, absorbing the generations-old secrets of the trade from his loving but neurotic father. As Alex explores the plant’s vast floors and assembly lines he comes to a grim realization: employers are exploited, regulatory systems are corrupt and Alex’s own father is engaging in payoffs and bribes to protect the bottom line. Then he meets a seamstress named Ivy. As Alex and Ivy grow close, Alex’s sympathies begin to shift to the Chinese workers, who labor under brutal conditions, stitching, sewing and cobbling shoes for American companies. But when Ivy’s past resurfaces, her broader goals become apparent. She is an embedded organizer of a pro-democratic Chinese party, secretly sowing dissonance among her fellow laborers. Will Alex remain loyal to his father and his heritage? Or will the sparks of revolution ignite?
There were four cousins in the Morse family: perfect Kenny, the preppy West Coast lawyer; James, the shy but brilliant medical student; his seductive, hard-drinking sister Audrey; and Teresa, youngest and most fragile, haunted by the fear that she has inherited the madness that possessed her father. Their grandfather summons them to his mansion at Owl’s Point. None of them has visited the family estate since they were children, when a prized painting disappeared: a self-portrait by Goya, rumored to cause madness or death upon viewing. Afterward, the family split apart amid the accusations and suspicions that followed its theft. Any hope that their grandfather planned to make amends evaporates when Teresa arrives to find the old man dead, his horrified gaze pinned upon the spot where the painting once hung. As the family gathers and suspects mount, Teresa hopes to find the reasons behind her grandfather’s death and the painting’s loss. But to do so she must uncover ugly family secrets and confront those who would keep them hidden.