The New York Times bestselling Queen of Twists returns with a family reunion that leads to murder. After years of avoiding each other, Daisy Darker’s entire family is assembling for Nana’s 80th birthday party in Nana’s crumbling gothic house on a tiny tidal island. Finally back together one last time, when the tide comes in, they will be cut off from the rest of the world for eight hours. The family arrives, each of them harboring secrets. Then at the stroke of midnight, as a storm rages, Nana is found dead. And an hour later, the next family member follows. Trapped on an island where someone is killing them one by one, the Darkers must reckon with their present mystery as well as their past secrets, before the tide comes in and all is revealed. With a wicked wink to Agatha Christie’s And Then There Were None, Daisy Darker’s unforgettable twists will leave readers reeling.
A stunning new work of historical fantasy, J. M. Miro’s ordinary monsters introduces readers to the dark, labyrinthine world of the talents. England, 1882. In Victorian London, two children with mysterious powers are hunted by a figure of darkness—a man made of smoke. Sixteen-year-old Charlie Ovid, despite a brutal childhood in Mississippi, doesn’t have a scar on him. His body heals itself, whether he wants it to or not. Marlowe, a foundling from a railway freight car, shines with a strange bluish light. He can melt or mend flesh. When a jaded female detective is recruited to escort them to safety, all three begin a journey into the nature of difference, and belonging, and the shadowy edges of the monstrous.
What follows is a story of wonder and betrayal, from the gaslit streets of London, and the wooden theatres of Meiji-era Tokyo, to an eerie estate outside Edinburgh where other children with gifts—the Talents—have been gathered. There, the world of the dead and the world of the living threaten to collide. And as secrets within the Institute unfurl, Marlowe, Charlie and the rest of the Talents will discover the truth about their abilities, and the nature of what is stalking them: that the worst monsters sometimes come bearing the sweetest gifts.
Riveting in its scope, exquisitely written, Ordinary Monsters presents a catastrophic vision of the Victorian world—and of the gifted, broken children who must save it.
A blazing new talent debuts with the story of a status-driven wedding planner grappling with her absent mother, her glittering career amongst New York’s elite and her Puerto Rican roots in the wake of Hurricane Maria.
A sweeping, masterful debut about a daughter’s fateful choice, a mother motivated by her own past, and a family legacy that begins in Cuba before either of them were born.
In present-day Miami, Jeanette is battling addiction. Daughter of Carmen, a Cuban immigrant, she is determined to learn more about her family history from her reticent mother and makes the snap decision to take in the daughter of a neighbor detained by ICE. Carmen, still wrestling with the trauma of displacement, must process her difficult relationship with her own mother while trying to raise a wayward Jeanette. Steadfast in her quest for understanding, Jeanette travels to Cuba to see her grandmother and reckon with secrets from the past destined to erupt.
From 19th-century cigar factories to present-day detention centers, from Cuba to Mexico, Gabriela Garcia’s Of Women and Salt is a kaleidoscopic portrait of betrayals––personal and political, self-inflicted and those done by others––that have shaped the lives of these extraordinary women. A haunting meditation on the choices of mothers, the legacy of the memories they carry, and the tenacity of women who choose to tell their stories despite those who wish to silence them, this is more than a diaspora story; it is a story of America’s most tangled, honest, human roots
For readers of Station Eleven and Everything I Never Told You, a debut novel set on the brink of catastrophe, as a young woman chases the world’s last birds and her own final chance for redemption.
Lydia Quixano Perez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. Even though she knows they’ll never sell, Lydia stocks some of her all-time favorite books in her store. And then one day a man enters the shop to browse and comes up to the register with four books he would like to buy—two of them her favorites. Javier is erudite. He is charming. And, unbeknownst to Lydia, he is the jefe of the newest drug cartel that has gruesomely taken over the city. When Lydia’s husband’s tell-all profile of Javier is published, none of their lives will ever be the same. Forced to flee, Lydia and eight-year-old Luca soon find themselves miles and worlds away from their comfortable middle-class existence. Instantly transformed into migrants, Lydia and Luca ride la bestia—trains that make their way north towards the United States, which is the only place Javier’s reach doesn’t extend. As they join the countless people trying to reach el norte, Lydia soon sees that everyone is running from something. But what exactly are they running to?
From the New York Times bestselling author of The Postmistress comes a novel that is The Hours meets The Forsyte Saga, centering on a love affair between the daughter of an American dynasty and an upstart trying to break into polite society. Following three generations of an old money family that has run out of its money but not the firm sense of its place or power, The Guest Book weaves between the 30s, the 50s and the present, tracing the past mistakes and betrayals that ripple down through time, ambitiously examining the racism and power structures embedded in the U.S. for centuries. Brimming with gorgeous writing and bitterly accurate social criticism, The Guest Book is a literary tour de force about the histories we inherit and the ways we blindly pass the past inside us on––until we see the history that lies in the cracks between.
At one point or another, we’ve all been asked to name five people, living or dead, with whom we’d like to have dinner. Why do we choose the people we do? And what if that dinner was to actually happen? These are the questions Rebecca Serle contends with in her utterly captivating novel, The Dinner List, a story imbued with the same delightful magical realism as One Day, and the life-changing romance of Me Before You. When Sabrina arrives at her thirtieth birthday dinner she finds at the table not just her best friend, but also three significant people from her past, and well, Audrey Hepburn. As the appetizers are served, wine poured, and dinner table conversation begins, it becomes clear that there’s a reason these six people have been gathered together. Delicious but never indulgent, sweet with just the right amount of bitter, The Dinner List is a romance for our times. Bon appetit.
Stephanie Garber’s limitless imagination takes flight once more in the colorful, mesmerizing, and immersive sequel to her New York Times bestselling debut novel Caraval. This year’s Caraval has concluded. Tella is alive—and safe, to her older sister’s relief. But Tella has secrets she has been keeping from Scarlett. Secrets like what Tella promised in exchange for the sisters’ invitations to Caraval in the first place. Secrets about the person to whom these promises were made. And secrets about Julian, the Caraval player who won Scarlett’s heart. Afraid of revealing the truth to the person who loves her most, Tella runs away to Valenda, the capital of the Empire, to find the mysterious correspondent whom Tella owes. But in the nights leading up to Elantine’s Day, a cross between a masquerade ball, a jubilee, and Caraval, no one is to be trusted . . .
David Hedges is having an unusual midlife crisis. His boyfriend, Soren, has left him for an older man, albeit a successful surgeon. His job—helping the spoiled children of San Francisco’s elite get into college—is exasperating. As his life reaches new lows, his weight reaches new highs. The only good thing he has is his under-market-value apartment that has a view so stunning he is the envy of all of San Francisco. But when the landlord finally decides to sell—to Soren and the surgeon courtesy of his supposed realtor friend—David hits rock bottom. Across the country, Julie Fiske isn’t having a much better time herself. Carol, the woman (younger, of course) that Henry, her second husband, left her for, is downright likable—more likeable than Henry was. The bills that she files by throwing into the back seat of her car keep piling up—so much so that she has turned her rambling home into an illegal B&B in the seaside tourist town where she lives. Her sullen teen daughter adamantly refused to apply to college (as David says, “I’m always drawn to sadness in teenagers, which I take to be a sign of intelligence. What teenager with half a brain looking at the condition of the planet they would inherit wouldn’t be sad?”). And Julie can’t seem to quit smoking weed (Why should she? It’s the one good thing she has). Henry lays down an ultimatum—if Mandy doesn’t start applying to college, she’s going to come live with him and Carol. And then Mandy surprises Henry, and stuns Julie, by saying she’s been working with David Hedges, Mom’s first husband from long ago. It’s a lie, but a good one, and, Julie thinks, not a bad idea. So when Julie calls David up out of the blue and asks if he’ll help Mandy, he says of course. And when Mandy tells David he should come visit them and stay in one of their B&B rooms, he surprises everyone, including himself, by accepting. Soon David and Julie are living together and in many ways pick up exactly where they left off. But while the chemistry between them is still there, and they can finish each other’s sentences, there’s one conversation they never finished that is unavoidable.