From bestselling, National Book Award-winning author Elizabeth Acevedo comes her first novel for adults, the story of one Dominican-American family told through the voices of its women as they await a gathering that will forever change their lives. Flor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake—a party to bring her family and community together to celebrate the long life she’s led—her sisters are surprised. Has Flor foreseen her own death, or someone else’s? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila. But Flor isn’t the only person with secrets. Matilde has tried for decades to cover the extent of her husband’s infidelity, but she must now confront the true state of her marriage. Pastora is typically the most reserved sister, but Flor’s wake motivates this driven woman to solve her sibling’s problems. Camila is the youngest sibling, and often the forgotten one, but she’s decided she no longer wants to be taken for granted.
And the next generation, cousins Ona and Yadi, face tumult of their own: Yadi is reuniting with her first love, who was imprisoned when they were both still kids; Ona is married for years and attempting to conceive. Ona must decide whether it’s worth it to keep trying—to have a child, and the anthropology research that’s begun to feel lackluster. Spanning the three days prior to the wake, Family Lore traces the lives of each of the Marte women, weaving together past and present, Santo Domingo and New York City. Told with Elizabeth Acevedo’s inimitable and incandescent voice, this is an indelible portrait of sisters and cousins, aunts and nieces—one family’s journey through their history, helping them better navigate all that is to come.
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A Living Remedy
From the bestselling author of ALL YOU CAN EVER KNOW comes a searing memoir of class, inequality, and grief—a daughter’s search to understand the lives her adoptive parents led, the life she forged as an adult, and the lives she’s lost. In this country, unless you attain extraordinary wealth, you will likely be unable to help your loved ones in all the ways you’d hoped. You will learn to live with the specific, hollow guilt of those who leave hardship behind, yet are unable to bring anyone else with them. When Nicole Chung graduated from high school, she couldn’t hightail it out of her overwhelmingly white Oregon hometown fast enough. As a scholarship student at a private university on the East Coast, no longer the only Korean she knew, she found a sense of community she had always craved as an Asian American adoptee — and a path to the life she’d long wanted. But the middle class world she begins to raise a family in — where there are big homes, college funds, nice vacations — looks very different from the middle class world she thought she grew up in, where paychecks have to stretch to the end of the week, health insurance is often lacking, and there are no safety nets. When her father dies at only sixty-seven, killed by diabetes and kidney disease, Nicole feels deep grief as well as rage, knowing that years of financial instability and lack of access to healthcare contributed to his premature death. And then the unthinkable happens — less than a year later, her beloved mother is diagnosed with cancer, and the physical distance between them becomes insurmountable as Covid descends upon the world. Exploring the enduring strength of family bonds in the face of hardship and tragedy, A Living Remedy examines what it takes to reconcile the distance between one life, one home, and another — and sheds needed light on some of the most persistent and tragic inequalities in American society.
On the Rooftop
A stunning novel about a mother whose dream of musical stardom for her three daughters collides with the daughters’ ambitions for their own lives set against the backdrop of gentrifying 1950s San Francisco. At home they are just sisters, but on stage, they are The Salvations. Ruth, Esther, and Chloe have been singing and dancing in harmony since they could speak. Thanks to the rigorous direction of their mother, Vivian, they’ve become a bona fide girl group whose shows are the talk of the Jazz-era Fillmore. Now Vivian has scored a once-in-a-lifetime offer from a talent manager, who promises to catapult The Salvations into the national spotlight. Vivian knows this is the big break she’s been praying for. But sometime between the hours of rehearsal on their rooftop and the weekly gigs at the Champagne Supper Club, the girls have become women, women with dreams that their mother cannot imagine. The neighborhood is changing, too: all around the Fillmore, white men in suits are approaching Black property owners with offers. One sister finds herself called to fight back, one falls into the comfort of an old relationship, another yearns to make her own voice heard. And Vivian, who has always maintained control, will have to confront the parts of her life that threaten to splinter: the community, The Salvations, and even her family. Warm, gripping, and wise, with echoes of Fiddler on the Roof, Margaret Wilkerson Sexton’s latest novel is a moving family portrait from “a writer of uncommon nerve and talent” (New York Times Book Review).
The Hero of This Book
A taut, groundbreaking new novel from bestselling and award-winning author Elizabeth McCracken, about a writer’s relationship with her larger-than-life mother—and about the very nature of writing, memory, and art. Ten months after her mother’s death, the narrator of The Hero of This Book takes a trip to London. The city was a favorite of her mother’s, and as the narrator wanders the streets, she finds herself reflecting on her mother’s life and their relationship. Thoughts of the past meld with questions of the future: back in New England, the family home is now for sale, its considerable contents already winnowed. The woman, a writer, recalls all that made her complicated mother extraordinary—her brilliant wit, her generosity, her unbelievable obstinacy, her sheer will in seizing life despite physical difficulties—and finds herself wondering how her mother had endured. Even though she wants to respect her
“Elizabeth McCracken, about a writer’s relationship with her larger-than-life mother—and about the very nature of writing, memory, and art. Ten months after her mother’s death, the narrator of The Hero of This Book takes a trip to London. The city was a favorite of her mother’s, and as the narrator wanders the streets, she finds herself reflecting on her mother’s life and their relationship. Thoughts of the past meld with questions of the future: back in New England, the family home is now for sale, its considerable contents already winnowed. The woman, a writer, recalls all that made her complicated mother extraordinary—her brilliant wit, her generosity, her unbelievable obstinacy, her sheer will in seizing life despite physical difficulties—and finds herself wondering how her mother had endured. Even though she wants to respect her mother’s nearly pathological sense of privacy, the woman must come to terms with whether making a chronicle of this remarkable life constitutes an act of love or betrayal. The Hero of This Book is a searing examination of grief and renewal, and of a deeply felt relationship between a child and her parents. What begins as a question of filial devotion ultimately becomes a lesson in what it means to write. At once comic and heartbreaking, with prose that delights at every turn, this is a novel of such piercing love and tenderness that we are reminded that art is what remains when all else falls away.
On The Rooftop
A stunning novel about a mother whose dream of musical stardom for her three daughters collides with the daughters’ ambitions for their own lives set against the backdrop of gentrifying 1950s San Francisco. At home they are just sisters, but on stage, they are The Salvations. Ruth, Esther, and Chloe have been singing and dancing in harmony since they could speak. Thanks to the rigorous direction of their mother, Vivian, they’ve become a bona fide girl group whose shows are the talk of the Jazz-era Fillmore. Now Vivian has scored a once-in-a-lifetime offer from a talent manager, who promises to catapult The Salvations into the national spotlight. Vivian knows this is the big break she’s been praying for. But sometime between the hours of rehearsal on their rooftop and the weekly gigs at the Champagne Supper Club, the girls have become women, women with dreams that their mother cannot imagine.
Now Is Not the Time to Panic
From the New York Times bestselling author of Nothing to See Here comes an exuberant, bighearted novel about two teenage misfits who spectacularly collide one fateful summer, and the art they make that changes their lives forever. Sixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another sad summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who has just moved into his grandmother’s unhappy house and who is as lonely and awkward as Frankie is. Romantic and creative sparks begin to fly, and when the two jointly make an unsigned poster, shot through with an enigmatic phrase, it becomes unforgettable to anyone who sees it. The edge is a shantytown filled with gold seekers. We are fugitives, and the law is skinny with hunger for us. The posters begin appearing everywhere, and people wonder who is behind them. Satanists, kidnappers—the rumors won’t stop, and soon the mystery has dangerous repercussions that spread far beyond the town. The art that brought Frankie and Zeke together now threatens to tear them apart.
Mother Ocean Father Nation
A riveting, tender debut novel, following a brother and sister whose paths diverge—one forced to leave, one left behind—in the wake of a nationalist coup in the South Pacific.
Remarkably Bright Creatures
For fans of A Man Called Ove, a luminous debut novel about a widow’s unlikely friendship with a giant Pacific octopus reluctantly residing at the local aquarium—and the truths she finally uncovers about her son’s disappearance 30 years ago.
Beasts of a Little Land
An epic story of love, war, and redemption set against the backdrop of the Korean independence movement, following the intertwined fates of a young girl sold to a courtesan school and the penniless son of a hunter. In 1917, deep in the snowy mountains of occupied Korea, an impoverished local hunter on the brink of starvation saves a young Japanese officer from an attacking tiger. In an instant, their fates are connected—and from this encounter unfolds a saga that spans half a century. In the aftermath, a young girl named Jade is sold by her family to Miss Silver’s courtesan school, an act of desperation that will cement her place in the lowest social status. When she befriends an orphan boy named JungHo, who scrapes together a living begging on the streets of Seoul, they form a deep friendship. As they come of age, JungHo is swept up in the revolutionary fight for independence, and Jade becomes a sought-after performer with a new romantic prospect of noble birth. Soon Jade must decide whether she will risk everything for the one who would do the same for her. From the perfumed chambers of a courtesan school in Pyongyang to the glamorous cafes of a modernizing Seoul and the boreal forests of Manchuria, where battles rage, Juhea Kim’s unforgettable characters forge their own destinies as they wager their nation’s. Immersive and elegant, Beasts of a Little Land unveils a world where friends become enemies, enemies become saviors, heroes are persecuted, and beasts take many shapes.
Good Company
“Cynthia D’Aprix Sweeney plumbs the depths of marriage, motherhood and friendship with warmth and wit. I devoured it in one gulp! Treat yourself to some Good Company.”—Maria Semple, author of Today Will Be Different. A warm, incisive new novel about the enduring bonds of marriage and friendship from Cynthia D’Aprix Sweeney, author of the instant New York Times bestseller The Nest. Flora Mancini has been happily married for more than twenty years. But everything she thought she knew about herself, her marriage, and her relationship with her best friend, Margot, is upended when she stumbles upon an envelope containing her husband’s wedding ring—the one he claimed he lost one summer when their daughter, Ruby, was five. Flora and Julian struggled for years, scraping together just enough acting work to raise Ruby in Manhattan and keep Julian’s small theater company—Good Company—afloat. A move to Los Angeles brought their first real career successes, a chance to breathe easier, and a reunion with Margot, now a bona fide television star. But has their new life been built on lies? What happened that summer all those years ago? And what happens now? With Cynthia D’Aprix Sweeney’s signature tenderness, humor, and insight, Good Company tells a bighearted story of the lifelong relationships that both wound and heal us.