From a writer who is always “razor sharp and furiously good” (Zadie Smith), a darkly comic political parable braided with a Bildungsroman that takes us inside the heart of a divided country.
The Big Guy loves his family, money and country. Undone by the results of the 2008 presidential election, he taps a group of like-minded men to reclaim their version of the American Dream. As they build a scheme to disturb and disrupt, the Big Guy also faces turbulence within his family. His wife, Charlotte, grieves a life not lived, while his 18-year-old daughter, Meghan, begins to realize that her favorite subject “history” is not exactly what her father taught her.
In a story that is as much about the dynamics within a family as it is about the desire for those in power to remain in power, Homes presciently unpacks a dangerous rift in American identity, prompting a reconsideration of the definition of truth, freedom and democracy—and exploring the explosive consequences of what happens when the same words mean such different things to people living together under one roof.
John Irving, one of the world’s greatest novelists, returns with his first novel in seven years: a ghost story, a love story, and a lifetime of sexual politics.
In Aspen, Colorado, in 1941, Rachel Brewster is a slalom skier at the National Downhill and Slalom Championships. Little Ray, as she is called, finishes nowhere near the podium, but she manages to get pregnant. Back home, in New England, Little Ray becomes a ski instructor.
Her son, Adam, grows up in a family that defies conventions and evades questions concerning the eventful past. Years later, looking for answers, Adam will go to Aspen. In the Hotel Jerome, where he was conceived, Adam will meet some ghosts; in The Last Chairlift, they aren’t the first or the last ghosts he sees.
John Irving has written some of the most acclaimed books of our time—among them, The World According to Garp and The Cider House Rules. A visionary voice on the subject of sexual tolerance, Irving is a bard of alternative families. In The Last Chairlift, readers will once more be in his thrall.
This is the age of vice, where money, pleasure, and power are everything, and the family ties that bind can also kill. New Delhi, 3 a.m. A speeding Mercedes jumps the curb and in the blink of an eye, five people are dead. It’s a rich man’s car, but when the dust settles there is no rich man at all, just a shell-shocked servant who cannot explain the strange series of events that led to this crime. Nor can he foresee the dark drama that is about to unfold. Deftly shifting through time and perspective in contemporary India, Age of Vice is an epic, action-packed story propelled by the seductive wealth, startling corruption, and bloodthirsty violence of the Wadia family—loved by some, loathed by others, feared by all. In the shadow of lavish estates, extravagant parties, predatory business deals and calculated political influence, three lives become dangerously intertwined: Ajay is the watchful servant, born into poverty, who rises through the family’s ranks. Sunny is the playboy heir who dreams of outshining his father, whatever the cost. And Neda is the curious journalist caught between morality and desire. Against a sweeping plot fueled by loss, pleasure, greed, yearning, violence and revenge, will these characters’ connections become a path to escape, or a trigger of further destruction? Equal parts crime thriller and family saga, transporting readers from the dusty villages of Uttar Pradesh to the urban energy of New Delhi, Age of Vice is an intoxicating novel of gangsters and lovers, false friendships, forbidden romance, and the consequences of corruption. It is binge-worthy entertainment at its literary best.
Based on real history and alternating between three perspectives, When We Had Wings tells an amazingly moving story of heroic service, perseverance in the darkest of days, and the hope of the human spirit.
Fabienne is dead. Her childhood best friend, Agnes, receives the news in America, far from the French countryside where the two girls were raised—the place that Fabienne helped Agnes escape ten years ago. Now, Agnes is free to tell her story.
As children in a war-ravaged, backwater town, they’d built a private world, invisible to everyone but themselves—until Fabienne hatched the plan that would change everything, launching Agnes on an epic trajectory through fame, fortune, and terrible loss.
Ling Ma brings us eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. From a woman who lives in a house with all of her ex-boyfriends, to a toxic friendship built around a drug that makes you invisible, to an ancient ritual that might heal you of anything if you bury yourself alive, these and other scenarios reveal that the outlandish and the everyday are shockingly, deceptively, heartbreakingly similar.
From the bestselling author of Ohio, a masterful American epic: The Deluge. In the first decades of the 21st century, the world is convulsing, its governments mired in gridlock while a patient but unrelenting ecological crisis looms. America is in upheaval, battered by violent weather and extreme politics. In California in 2013, Tony Pietrus, a scientist studying deposits of undersea methane, receives a death threat. His fate will become bound to a stunning cast of characters: a broken drug addict, a star advertising strategist, a neurodivergent mathematician, a cunning eco-terrorist, an actor turned religious zealot, and a brazen young activist named Kate Morris, who, in the mountains of Wyoming, begins a project that will alter the course of the decades to come. Their intertwined odysseys unfold against a stark backdrop of accelerating chaos as they summon courage, galvanize a nation, fall to their own fear, and find wild hope in the face of staggering odds. As their stories hurtle toward a spectacular climax, each faces a reckoning: what will they sacrifice to salvage humanity’s last chance at a future? A singular achievement, The Deluge is a once-in-a-generation novel that meets the moment as few works of art ever have.
A taut, groundbreaking new novel from bestselling and award-winning author Elizabeth McCracken, about a writer’s relationship with her larger-than-life mother—and about the very nature of writing, memory, and art. Ten months after her mother’s death, the narrator of The Hero of This Book takes a trip to London. The city was a favorite of her mother’s, and as the narrator wanders the streets, she finds herself reflecting on her mother’s life and their relationship. Thoughts of the past meld with questions of the future: back in New England, the family home is now for sale, its considerable contents already winnowed. The woman, a writer, recalls all that made her complicated mother extraordinary—her brilliant wit, her generosity, her unbelievable obstinacy, her sheer will in seizing life despite physical difficulties—and finds herself wondering how her mother had endured. Even though she wants to respect her
“Elizabeth McCracken, about a writer’s relationship with her larger-than-life mother—and about the very nature of writing, memory, and art. Ten months after her mother’s death, the narrator of The Hero of This Book takes a trip to London. The city was a favorite of her mother’s, and as the narrator wanders the streets, she finds herself reflecting on her mother’s life and their relationship. Thoughts of the past meld with questions of the future: back in New England, the family home is now for sale, its considerable contents already winnowed. The woman, a writer, recalls all that made her complicated mother extraordinary—her brilliant wit, her generosity, her unbelievable obstinacy, her sheer will in seizing life despite physical difficulties—and finds herself wondering how her mother had endured. Even though she wants to respect her mother’s nearly pathological sense of privacy, the woman must come to terms with whether making a chronicle of this remarkable life constitutes an act of love or betrayal. The Hero of This Book is a searing examination of grief and renewal, and of a deeply felt relationship between a child and her parents. What begins as a question of filial devotion ultimately becomes a lesson in what it means to write. At once comic and heartbreaking, with prose that delights at every turn, this is a novel of such piercing love and tenderness that we are reminded that art is what remains when all else falls away.
In the Soviet Union in 1973, there is perhaps no greater honor for a young girl than to be chosen to be part of the famed USSR gymnastics program. So when eight-year-old Anya is tapped, her family is thrilled. What is left of her family, that is. Years ago her mother disappeared. Anya’s only confidant is her neighbor, an older woman who survived unspeakable horrors during her ten years in a Gulag camp—and who, unbeknownst to Anya, was also her mother’s confidant and might hold the key to her disappearance. As Anya moves up the ranks of competitive gymnastics, and as other girls move down, Anya soon comes to realize that there is very little margin of error for anyone.
Edi and Ash have been best friends for over forty-two years. They’ve shared the mundane and the momentous together: trick or treating and binge drinking; Gilligan’s Island reruns and REM concerts; hickeys and heartbreaks; surprise Scottish wakes; marriages, infertility, and children. As Ash says, “Edi’s memory is like the backup hard drive for mine.” But now the unthinkable has happened. Edi is dying of ovarian cancer and spending her last days at a hospice near Ash, who stumbles into heartbreak surrounded by her daughters, ex(ish)-husband, dear friends, a poorly chosen lover (or two), and a rotating cast of beautifully, fleetingly human hospice characters. As the Fiddler on the Roof soundtrack blasts all day long from the room next door, Edi and Ash reminisce, hold on, and try to let go. Meanwhile, Ash struggles with being an imperfect friend, wife, and parent—with life, in other words, distilled to its painful, joyful, and comedic essence.
