A stunning new work of historical fantasy, J. M. Miro’s ordinary monsters introduces readers to the dark, labyrinthine world of the talents. England, 1882. In Victorian London, two children with mysterious powers are hunted by a figure of darkness—a man made of smoke. Sixteen-year-old Charlie Ovid, despite a brutal childhood in Mississippi, doesn’t have a scar on him. His body heals itself, whether he wants it to or not. Marlowe, a foundling from a railway freight car, shines with a strange bluish light. He can melt or mend flesh. When a jaded female detective is recruited to escort them to safety, all three begin a journey into the nature of difference, and belonging, and the shadowy edges of the monstrous.
What follows is a story of wonder and betrayal, from the gaslit streets of London, and the wooden theatres of Meiji-era Tokyo, to an eerie estate outside Edinburgh where other children with gifts—the Talents—have been gathered. There, the world of the dead and the world of the living threaten to collide. And as secrets within the Institute unfurl, Marlowe, Charlie and the rest of the Talents will discover the truth about their abilities, and the nature of what is stalking them: that the worst monsters sometimes come bearing the sweetest gifts.
Riveting in its scope, exquisitely written, Ordinary Monsters presents a catastrophic vision of the Victorian world—and of the gifted, broken children who must save it.
The acclaimed, bestselling author of This Could Hurt returns with her biggest, boldest novel yet—an electrifying, twisty, and deeply emotional family drama, set on Manhattan’s glittering Upper East Side, that explores the dark side of love, the limits of loyalty, and the high cost of truth.
You can have everything, and still not have enough. Cassie Quinn may only be twenty-three, but she knows a few things. One: money can’t buy happiness, but it’s certainly better to have it. Two: family matters most. Three: her younger brother Billy is not a rapist. When Billy, a junior at Princeton, is arrested for assaulting his ex-girlfriend, Cassie races home to Manhattan to join forces with her big brother Nate and their parents, Lawrence and Eleanor. The Quinns scramble to hire the best legal minds money can buy, but Billy fits the all-too-familiar sex-offender profile—white, athletic, and privileged—that makes headlines and sways juries. Meanwhile, Cassie struggles to understand why Billy’s ex Diana would go this far, even if the breakup was painful. And she knows how the end of first love can destroy someone: Her own years-long affair with a powerful, charismatic man left her shattered, and she’s only recently regained her footing. As reporters converge outside their Upper East Side landmark building, the Quinns gird themselves for a media-saturated trial, and Cassie vows she’ll do whatever it takes to save Billy. But what if that means exposing her own darkest secrets to the world? Lightning-paced and psychologically astute as it rockets toward an explosive ending, When We Were Bright and Beautiful is a dazzling novel that asks: who will pay the price when the truth is revealed?
What if you could take a vacation to your past? On the eve of her fortieth birthday, Alice’s life isn’t terrible. She likes her job, even if it isn’t exactly the one she expected. She’s happy with her apartment, her romantic status, and her independence, and she adores her lifelong best friend. But something is missing. Her father, the single parent who raised her, is ailing and out of reach. How did they get here so fast? Did she take too much for granted along the way? When Alice wakes up the next morning somehow back in 1996, it isn’t her sixteen-year-old body that is the biggest shock, or the possibility of romance with her adolescent crush. It’s her dad: the vital, charming, forty-nine-year-old version of her father with whom she is reunited. Now armed with a new perspective on her own life and his, is there anything that she should do differently this time around? What would she change, given the chance?
From Adriana Trigiani, “a master of visual and palpable detail” (The Washington Post), comes a lush, immersive novel about a hardworking family of Tuscan artisans with long-held secrets. Epic in scope and resplendent with the glorious themes of identity and belonging, The Good Left Undone unfolds in breathtaking turns.
Fifteen years after the publication of Evidence of Things Unseen, National Book Award and Pulitzer Prize finalist Marianne Wiggins returns with a novel destined to be an American classic: a sweeping masterwork set during World War II about the meaning of family and the limitations of the American Dream.
A riveting, tender debut novel, following a brother and sister whose paths diverge—one forced to leave, one left behind—in the wake of a nationalist coup in the South Pacific.
From the co-creator of How I Met Your Mother, a hilarious and thought-provoking comedy of manners set in New York City, following a sprawling cast of characters as they navigate life, love, loss, ambition, and spirituality—without ever looking up from their phones. It’s the summer of 2015, and Alice Quick needs to get to work. She’s twenty-eight years old, grieving her mother, barely scraping by as a nanny, and freshly kicked out of her apartment. If she can just get her act together and sign up for the MCAT, she can start chasing her dream of becoming a doctor . . . but in the Age of Distraction, the distractions are so distracting. There’s her tech millionaire brother’s religious awakening. His picture-perfect wife’s emotional breakdown. Her chaotic new roommate’s thirst for adventure. And, of course, there’s the biggest distraction of all: Love. From within the story of one summer in one young woman’s life, an epic tale is unearthed, spanning continents and featuring a tapestry of characters tied to one another by threads both seen and unseen. Filled with all the warmth, humor, and heart that gained How I Met Your Mother its cult following, The Mutual Friend captures in sparkling detail the chaos of contemporary life, a life lived simultaneously in two different worlds—the physical one and the one behind our screens—and reveals how connected we all truly are.
A moving and deeply engaging debut novel about a young Native American man finding strength in his familial identity, from a stellar new voice in literary fiction.
Told in a series of voices, Calling for a Blanket Dance takes us into the life of Ever Geimausaddle through the multigenerational perspectives of his family as they face myriad obstacles: his father’s injury at the hands of corrupt police, his mother’s struggle to hold on to her job and care for her husband, the constant resettlement of the family, and Ever’s own bottled-up rage at the instability all around him. Meanwhile, all of Ever’s relatives have ideas about who he is and who he should be. His Cherokee grandmother urges the family to move across Oklahoma to find security; his grandfather hopes to reunite him with his heritage through traditional gourd dances; his Kiowa cousin reminds him that he’s connected to an ancestral past. And once an adult, Ever must take the strength given to him by his relatives to save not only himself, but also the next generation of his family.
How will this young man visualize a place for himself when the world hasn’t given him a place to start with? Honest, heartbreaking, and ultimately uplifting, Calling for a Blanket Dance is the story of how Ever Geimausaddle found his way to home.
A razor sharp debut novel of three best friends navigating love, sex, faith, and the one night that changes it all. It’s always been Malak, Kees, and Jenna against the world. Since childhood, under the watchful eyes of their parents, and countless aunties and uncles, they’ve learned to live their own lives alongside the expectations of being good Muslim women. Staying over at a boyfriend’s place is disguised as a best friend’s sleepover, and tiredness can be blamed on studying instead of partying. But as they grow older and the stakes of love and life grow higher, the three young women find this delicate balancing act between rebellion and religion increasingly difficult to navigate. As their lives begin to take different paths, Malak, Kees, and Jenna—now on the precipice of true adulthood—must find a way back to each other as they reconcile faith, family, and tradition with their own needs and desires. These Impossible Things is a paean to youth and female friendship—and to all the joy and messiness love holds.
Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou and never read about “Chinese-y” things again. But after four years of grueling research, she has nothing but anxiety and stomach pain to show for her efforts. When she accidentally stumbles upon a strange and curious note in the Chou archives, she convinces herself it’s her ticket out of academic hell. But Ingrid’s in much deeper than she thinks. Her clumsy exploits to unravel the note’s message lead to an explosive discovery, one that upends her entire life and the lives of those around her. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a roller coaster of mishaps and misadventures, from campus protests and OTC drug hallucinations, to book burnings and a movement that stinks of “Yellow Peril” propaganda. As the events Ingrid instigated keep spiraling, she’ll have to confront her sticky relationship to white men and white institutions—and, most of all, herself. In this electrifying debut novel from a provocative new voice, Chou asks who gets to tell our stories—and how the story changes when we finally tell it ourselves.
