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We All Want Impossible Things

Edi and Ash have been best friends for over forty-two years. They’ve shared the mundane and the momentous together: trick or treating and binge drinking; Gilligan’s Island reruns and REM concerts; hickeys and heartbreaks; surprise Scottish wakes; marriages, infertility, and children. As Ash says, “Edi’s memory is like the backup hard drive for mine.” But now the unthinkable has happened. Edi is dying of ovarian cancer and spending her last days at a hospice near Ash, who stumbles into heartbreak surrounded by her daughters, ex(ish)-husband, dear friends, a poorly chosen lover (or two), and a rotating cast of beautifully, fleetingly human hospice characters. As the Fiddler on the Roof soundtrack blasts all day long from the room next door, Edi and Ash reminisce, hold on, and try to let go. Meanwhile, Ash struggles with being an imperfect friend, wife, and parent—with life, in other words, distilled to its painful, joyful, and comedic essence.

Best of Friends

From the acclaimed author of Home Fire, the moving and surprising story of a lifelong friendship and the forces that bring it to the breaking point. Zahra and Maryam have been best friends since childhood in Karachi, even though—or maybe because—they are unlike in nearly every way. Yet they never speak of the differences in their backgrounds or their values, not even after the fateful night when a moment of adolescent impulse upends their plans for the future. Three decades later, Zahra and Maryam have grown into powerful women who have each cut a distinctive path through London. But when two troubling figures from their past resurface, they must finally confront their bedrock differences—and find out whether their friendship can survive. Thought-provoking, compassionate, and full of unexpected turns, Best of Friends offers a riveting take on an age-old question: Does principle or loyalty make for the better friend?

Now Is Not the Time to Panic

From the New York Times bestselling author of Nothing to See Here comes an exuberant, bighearted novel about two teenage misfits who spectacularly collide one fateful summer, and the art they make that changes their lives forever. Sixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another sad summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who has just moved into his grandmother’s unhappy house and who is as lonely and awkward as Frankie is. Romantic and creative sparks begin to fly, and when the two jointly make an unsigned poster, shot through with an enigmatic phrase, it becomes unforgettable to anyone who sees it. The edge is a shantytown filled with gold seekers. We are fugitives, and the law is skinny with hunger for us. The posters begin appearing everywhere, and people wonder who is behind them. Satanists, kidnappers—the rumors won’t stop, and soon the mystery has dangerous repercussions that spread far beyond the town. The art that brought Frankie and Zeke together now threatens to tear them apart.

If I Survive You

Masterfully constructed with heart and humor, the linked stories in Jonathan Escoffery’s If I Survive You center on Trelawny as he struggles to carve out a place for himself amid financial disaster, racism, and flat-out bad luck. After a fight with Topper—himself reckoning with his failures as a parent and his longing for Jamaica—Trelawny claws his way out of homelessness through a series of odd, often hilarious jobs. Meanwhile, his brother, Delano, attempts a disastrous cash grab to get his kids back, and his cousin, Cukie, looks for a father who doesn’t want to be found. As each character searches for a foothold, they never forget the profound danger of climbing without a safety net. Pulsing with vibrant lyricism and inimitable style, sly commentary and contagious laughter, Escoffery’s debut unravels what it means to be in between homes and cultures in a world at the mercy of capitalism and white supremacy. With If I Survive You, Escoffery announces himself as a prodigious storyteller in a class of his own, a chronicler of American life at its most gruesome and hopeful.

The Lost Girls of Willowbrook

In her most powerful novel to date, New York Times bestselling author Ellen Marie Wiseman masterfully and viscerally evokes the real-life Willowbrook State School in Staten Island, New York, the state-run institution for children with disabilities that shocked the nation when it was exposed in the 1970s—more than a decade before it was finally shut down—for its horrendous abuses, neglect, overcrowding, unethical practices, and medical experiments. Taking readers behind the imposing doors of this notorious dumping ground for unwanted children, Wiseman’s gripping narrative conjures Girl, Interrupted meets One Flew Over the Cuckoo’s Nest by way of “Cropsey” in a harrowing yet moving story of social injustice, survival, and a young woman’s determination to find her sister…
People still search the woods for the remains of lost children.

Someday, Maybe

A stunning and witty debut novel about a young woman’s emotional journey through unimaginable loss, pulled along by her tight-knit Nigerian family, a posse of new friends, and the love and laughter she shared with her husband. Onyi Nwabineli is a fresh new voice for fans of Yaa Gyasi, Queenie and I May Destroy You.

Moonrise Over New Jessup

Winner of the 2021 PEN/Bellwether Prize for Socially Engaged Fiction, this thought-provoking and enchanting debut follows the story of a young Black woman doing whatever it takes to protect her family and her community as she and her husband push for change at the beginning of the Civil Rights Movement in Alabama. After leaving the only home she has ever known in 1957, Alice Young steps off the bus into all-Black New Jessup, Alabama, where residents have largely rejected integration as the means for Black social advancement. In this place, Alice falls in love with Raymond Campbell, whose clandestine organizing activity challenges New Jessup’s longstanding status quo and could lead to the young couple’s expulsion—or worse—from the home they both hold dear. But as Raymond continues to push alternatives for enhancing the New Jessup’s political power, Alice must find a way to balance her undying support for his underground work with her desire to protect New Jessup from the rising pressure of upheaval from inside, and outside, their side of town.

Compass

We can’t all be heroes. Some try and succeed. Others posture and pretend. And a few—just a few—set off on their hero’s quest only to discover that failure was within them all along.

Compass recounts the adventures of a man who, after traveling the world shilling stories for a major geographic magazine about historic expeditions and explorers, sets out on an adventure of his own—an ill-advised and poorly planned trip to the Arctic floe edge under the disorienting twenty-four-hour summer sun. When the ice breaks and his guide disappears, the narrator ends up alone and adrift in the hostile northern sea. He draws on his knowledge of historic expeditions to craft his own, inept, attempt at survival. As time passes and he becomes increasingly disoriented, his obsession with Sedna, the Inuit goddess of the sea, becomes terrifyingly real.

The Fortunes of Jaded Women

For fans of Jonathan Tropper, KJ Dell’Antonia, and Kevin Kwan, this “sharp, smart, and gloriously extra” (Nancy Jooyoun Kim, The Last Story of Mina Lee) debut follows a family of estranged Vietnamese women—cursed to never know love or happiness—as they reunite when a psychic makes a startling prediction. Everyone in Orange County’s Little Saigon knew that the Duong sisters were cursed. It started with their ancestor, Oanh, who dared to leave her marriage for true love—so a fearsome Vietnamese witch cursed Oanh and her descendants so that they would never find love or happiness, and the Duong women would give birth to daughters, never sons. Oanh’s current descendant Mai Nguyen knows this curse well. She’s divorced, and after an explosive disagreement a decade ago, she’s estranged from her younger sisters, Minh Pham (the middle and the mediator) and Khuyen Lam (the youngest who swears she just runs humble coffee shops and nail salons, not Little Saigon’s underground). Though Mai’s three adult daughters, Priscilla, Thuy, and Thao, are successful in their careers (one of them is John Cho’s dermatologist!), the same can’t be said for their love lives. Mai is convinced they might drive her to an early grave. Desperate for guidance, she consults Auntie Hua, her trusted psychic in Hawaii, who delivers an unexpected prediction: this year, her family will witness a marriage, a funeral, and the birth of a son. This prophecy will reunite estranged mothers, daughters, aunts, and cousins—for better or for worse. A multi-narrative novel brimming with levity and candor, The Fortunes of Jaded Women is about mourning, meddling, celebrating, and healing together as a family. It shows how Vietnamese women emerge victorious, even if the world is against them.

The Lemon

Set in the intersecting worlds of fine dining, Hollywood, and the media, a darkly hilarious and ultimately devastating satire about the underside of success and fame, and our ongoing complicity in devouring our cultural heroes

While filming on location in Belfast, Northern Ireland, John Doe, the universally adored host of the culinary travel show Last Call, is found dead in a hotel room in an apparent suicide. As the news of his untimely demise breaks, a group of friends, fixers, hustlers, and opportunists vie to seize control of the narrative: Doe’s chess-master of an agent Nia, ready to call in every favor she is owed to preserve his legacy; down-on-her-luck journalist Katie, who fabricates a story about Doe to save her job at a failing website; and world-famous chef Paolo Cabrini, Doe’s closest friend and confidant, who finds himself entangled with a deranged Belfast hotel worker whose lurid secret might just take them all down.

With raucous, deliciously cutting prose, crackling dialogue, and an unpredictable, tightly plotted story line—bolstered by the authors’ insider knowledge of high-end restaurants and low-end digital media—The Lemon is a darkly hilarious and ultimately devastating interrogation of the underside of success and fame, and our ongoing complicity in devouring the cultural heroes we hardly deserve.