The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?
For readers of The Hours and Fates and Furies, a bold, kaleidoscopic novel intertwining the lives of three women across three centuries as their stories of sex, power, and desire finally converge in the present day.
With vivid writing, immediately absorbing characters, and surprisingly timely issues, Ellen Marie Wiseman weaves a powerful tale of upheaval, resilience and hope amidst the tragic 1918 influenza: the seemingly apocalyptic illness that went on to infect one-third of the world’s population: In the fall of 1918, thirteen-year-old German immigrant Pia Lange longs to be far from Philadelphia’s overcrowded slums and the anti-immigrant sentiment that compelled her father to enlist in the U.S. Army. But as her city celebrates the end of war, an even more urgent threat arrives: the Spanish flu. Funeral crepe and quarantine signs appear on doors as victims drop dead in the streets and desperate survivors wear white masks to ward off illness. When food runs out in the cramped tenement she calls home, Pia must venture alone into the quarantined city in search of supplies, leaving her baby brothers behind. On the same street, Bernice Groves has become lost in grief and bitterness since her baby died from the Spanish flu. Watching Pia leave her brothers alone, Bernice makes a shocking, life-altering decision that leads her on a sinister mission to transform the city’s orphans and immigrant children into what she feels are “true Americans”: Waking in a makeshift hospital days after collapsing in the street, Pia is frantic to return home. Instead, she is taken to St. Vincent’s Orphan Asylum: the first step in a long and arduous journey to find her way back to her remaining family. As Bernice plots to keep the truth hidden at any cost in the months and years that follow, Pia must confront her own shame and fear, ultimately risking everything to see justice: and love: triumph at last.
World War II Lieutenant Karl Hagan earned his wings the hard way. But when his plane is shot down behind enemy lines, he’s forced to make the hardest decision of his life: trusting the enemy. Oberleutnant Wilhelm Albrecht wore his Iron Cross with pride. But when his U-boat is attacked in a devastating air raid, he abandons ship and finds an unlikely ally: the pilot who bombed him. From the smoke-filled skies over Europe to the fire-blasted waters of a Nazi naval base to the battle-scarred German countryside, the American and the German must form an uneasy truce if they hope to survive. It is November of 1944. The tides of war have turned. Allies have taken back France, and German troops have retreated. But for Karl and Wilhelm, the war is far from over. Each must be prepared to lie for the other, fight for the other, or die with the other. But their short-lived alliance won’t truly be put to the test until they reach the end of the line—inside a POW camp…
A dramatic and deeply moving novel of three generations coping with secrets, violence, and grief, against a backdrop of political and social unrest.
They burned down the market on the day Vivek Oji died.
One afternoon, in a town in southeastern Nigeria, a mother opens her front door to discover the lifeless body of her son wrapped in fabric on the welcome mat. The story of that child, Vivek Oji, is the story of two families from disparate cultures who came together in a time of upheaval, and of Vivek’s struggle to be true to a self whose spirit and longings defy conventional expectations. Raised by a privileged, distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, fugue states that disrupt all connection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women resettled in the area. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand his friend’s escalating crisis—the mystery of Vivek’s behavior gives way to a heart-stopping act of violence in a moment of transcendent freedom.
Propulsively readable, teeming with vivid and unforgettable characters, The Death of Vivek Oji is a story of family and friendship that challenges expectations at every turn. It is a major step forward from a writer of rare insight into the porous barriers between body and identity, spirit, and self.
An electrifying debut novel that unfolds in the course of a single day inside one genteel New York City apartment building, as tensions between the building’s super and his grown-up daughter spark a crisis that will, by day’s end, have changed everything.
An intimate, bracingly intelligent debut novel about a millennial Irish expat who becomes entangled in a love triangle with a male banker and a female lawyer. Ava moved to Hong Kong to find happiness, but so far, it isn’t working out. Since she left Dublin, she’s been spending her days teaching English to rich children—she’s been assigned the grammar classes because she lacks warmth—and her nights avoiding petulant roommates in her cramped apartment. When Ava befriends Julian, a witty British banker, he offers a shortcut into a lavish life her meager salary could never allow. Ignoring her feminist leanings and her better instincts, Ava finds herself moving into Julian’s apartment, letting him buy her clothes, and, eventually, striking up a sexual relationship with him. When Julian’s job takes him back to London, she stays put, unsure where their relationship stands. Enter Edith. A Hong Kong-born lawyer, striking and ambitious, Edith takes Ava to the theater and leaves her tulips in the hallway. Ava wants to be her—and wants her. Ava has been carefully pretending that Julian is nothing more than an absentee roommate, so when Julian announces that he’s returning to Hong Kong, she faces a fork in the road. Should she return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith? Politically alert, heartbreakingly raw, and dryly funny, Exciting Times is thrillingly attuned to the great freedoms and greater uncertainties of modern love. In stylish, uncluttered prose, Naoise Dolan dissects the personal and financial transactions that make up a life—and announces herself as a singular new voice.
Sweetbitter meets The Firm in this buzzy, page-turning debut novel—already optioned to Netflix—about sex and power in the halls of corporate America. Alex Vogel has always been a high achiever who lived her life by the book—star student and athlete in high school, prelaw whiz in college, Harvard Law School degree. Accepting a dream offer at the prestigious Manhattan law firm of Klasko & Fitch, she promises her sweet and supportive longtime boyfriend that the job won’t change her. Yet Alex is seduced by the firm’s money and energy . . . and by her cocksure male colleagues, who quickly take notice of the new girl. She’s never felt so confident and powerful—even the sexual innuendo and chauvinistic banter with her brash male colleagues and clients feels fun. In the firm’s most profitable and competitive division, Mergers and Acquisitions, Alex works around the clock, racking up billable hours and entertaining clients late into the evening. While the job is punishing, it has its perks, like a weekend trip to Miami, a ride in a client’s private jet, and more expense-account meals than she can count. But as her clients’ expectations and demands on her increase, and Alex finds herself magnetically drawn to a handsome coworker despite her loving relationship at home, she begins to question everything—including herself. She knows the corporate world isn’t black and white, and that to reach the top means playing by different rules. But who made those rules? And what if the system rigged so that women can’t win, anyway? When something happens that reveals the dark reality of the firm, Alex comes to understand the ways women like her are told—explicitly and implicitly—how they need to behave to succeed in the workplace. Now, she can no longer stand by silently—even if doing what’s right means putting everything on the line to expose the shocking truth.
Edie is stumbling through her twenties sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She’s also, secretly, haltingly figuring her way into life as an artist. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage—with rules. As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and falling into Eric’s family life, his home. She becomes a hesitant friend to his wife and a de facto role model to his adopted daughter. Edie is the only black woman young Akila may know.
Razor-sharp, darkly comic, sexually charged, socially disruptive, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent and the unexpected influences that bring us into ourselves along the way.
“I am Ana. I was the wife of Jesus.” So begins the new novel from the number one New York Times bestselling author of The Secret Life of Bees and The Invention of Wings, an extraordinary story set in the first century about a woman who finds her voice and her destiny in a time of great despair and great hope.