In this intimate portrait of two generations, a granddaughter and a grandmother come to terms with what it means to be family, Black women, and alive in a world on fire.
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THIS GREAT HEMISPHERE
From the award-winning and bestselling author of Black Buck comes a speculative novel about a young woman—invisible by birth and relegated to second-class citizenship—who sets off on a mission to find her older brother, whom she had presumed dead but who is now the primary suspect in a high-profile political murder.
MALAS
A story full of passion and revenge, following one family living on the Texas Mexico border and a curse that reverberates across generations—“Fuentes has achieved something rare and indelible with this story of complex women.” (Erika L. Sanchez)
JUST SOME STUPID LOVE STORY
For fans of Emily Henry, a debut about a rom-com screenwriter who doesn’t believe in love and a divorce attorney who does, forced together at their high school reunion fifteen years after their breakup
DAUGHTERS OF SHANDONG
A propulsive, extraordinary novel about a mother and her daughters’ harrowing escape to Taiwan as the Communist revolution sweeps through China, by debut author Eve J. Chung, based on her family story
Daughters are the Ang family’s curse.
In 1948, civil war ravages the Chinese countryside, but in rural Shandong, the wealthy, landowning Angs are more concerned with their lack of an heir. Hai is the eldest of four girls and spends her days looking after her sisters. Headstrong Di, who is just a year younger, learns to hide in plain sight, and their mother—abused by the family for failing to birth a boy—finds her own small acts of rebellion in the kitchen. As the Communist army closes in on their town, the rest of the prosperous household flees, leaving behind the girls and their mother because they view them as useless mouths to feed.
Without an Ang male to punish, the land-seizing cadres choose Hai, as the eldest child, to stand trial for her family’s crimes. She barely survives their brutality. Realizing the worst is yet to come, the women plan their escape. Starving and penniless but resourceful, they forge travel permits and embark on a thousand-mile journey to confront the family that abandoned them.
From the countryside to the bustling city of Qingdao, and onward to British Hong Kong and eventually Taiwan, they witness the changing tide of a nation and the plight of multitudes caught in the wake of revolution. But with the loss of their home and the life they’ve known also comes new freedom—to take hold of their fate, to shake free of the bonds of their gender, and to claim their own story.
Told in assured, evocative prose, with impeccably drawn characters, Daughters of Shandong is a hopeful, powerful story about the resilience of women in war; the enduring love between mothers, daughters, and sisters; and the sacrifices made to lift up future generations.
SWIFT RIVER
It’s the summer of 1987 in Swift River, and Diamond Newberry is learning how to drive. Ever since her Pop disappeared seven years ago, she and her mother hitchhike everywhere they go. But that’s not the only reason Diamond stands out: she’s teased relentlessly about her weight, and the fact that since Pop’s been gone, she is the only Black person in all of Swift River. This summer, Ma is determined to declare Pop legally dead so that they can collect his life insurance money, get their house back from the bank, and finally move on. But when Diamond receives a letter from a relative she’s never met, key elements of Pop’s life are uncovered, and she is introduced to two generations of African American Newberry women, spanning the 20th century and revealing a much larger picture of prejudice and abandonment, of love and devotion. As pieces of their shared past become clearer, Diamond gains a sense of her place in the world and in her family. But how will what she’s learned of the past change her future? A story of first friendships, family secrets, and finding the courage to let go, Swift River is a sensational debut about how history shapes us that heralds the arrival of a major new literary talent.
HEADSHOT
An electrifying debut novel from an “unusually gifted writer” (Lorrie Moore) about the radical intimacy of physical competition.
THE DEADING
Under The Dome by way of The Last of Us, as told around a beach bonfire with Stephen Graham Jones, Nicholas Belardes’s debut novel is an eco-horror book for our modern day. In a small, seaside town, what starts as a simple social media phenomenon gives way to a horrifying truth. People are not just, “deading,” aka taking disturbing pretend photos of their corpses: they are actually dying and returning. . . different with an agenda all their own. As the surrounding wildlife is strangely transformed by an unnatural contagion and the town comes under quarantine, those few who have not been infected and changed must find a way to survive, escape, or die trying. At points claustrophobic and haunting, soulful and melancholic, The Deading lyrically explores the disintegration of society, the horror of survival and adaptation, and the unexpected solace found through connections in nature and between humans.
HONEY
Isabel Banta’s debut novel redefines the narratives of some of the most famous pop icons of the ‘90s and 2000s. It reimagines the superstars we idolized and hated, oversexualized and underestimated, and gives them the fresh, multifaceted story they deserve.
THE LAST MURDER AT THE END OF THE WORLD
Outside the island there is nothing: the world was destroyed by a fog that swept the planet, killing anyone it touched.
On the island: it is idyllic. One hundred and twenty-two villagers and three scientists, living in peaceful harmony. The villagers are content to fish, farm and feast, to obey their nightly curfew, to do what they’re told by the scientists.
Until, to the horror of the islanders, one of their beloved scientists is found brutally stabbed to death. And then they learn that the murder has triggered a lowering of the security system around the island, the only thing that was keeping the fog at bay. If the murder isn’t solved within 92 hours, the fog will smother the island—and everyone on it.
But the security system has also wiped everyone’s memories of exactly what happened the night before, which means that someone on the island is a murderer—and they don’t even know it.
And the clock is ticking.