Meet femme fatale Judith Rashleigh. She is sexy, smart, and very, very bad in all the best ways. Not since Patricia Highsmith’s Tom Ripley has there been so piercing a portrait of someone on the outside, looking in. She’s a woman who knows what she wants—and exactly how to get it. A smooth confidence woman with a talent for self-invention, she’s seen inside the invisible club of the debonair and wealthy, and she knows where she belongs. Maestra is a glamorous, ferocious psychological thriller and the beginning of a razor-sharp trilogy.