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THE WEDDING PEOPLE

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She’s immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamt of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe—which makes it that much more surprising when the women can’t stop confiding in each other. In turns uproariously, absurdly funny and devastatingly tender, Alison Espach’s The Wedding People is a look at the winding paths we can take to places we never imagined—and the chance encounters it sometimes takes to reroute us.

NOTES ON YOUR SUDDEN DISAPPEARANCE

The summer before Sally Holt starts the eighth grade begins as a gloriously uneventful one, full of family trips to the beach and long afternoons at the local pool with her older sister Kathy, which they mostly use as an excuse to ogle Billy Barnes, who works the concession stand there. By summer’s end Billy and Kathy are an item—an unthinkable stroke of luck that ends in an even more unthinkable tragedy. Set over the course of fifteen years, Notes on Your Sudden Disappearance is narrated by Sally as she addresses Kathy before, during and after Kathy’s death. We watch as Kathy’s absence creates a gaping hole that only Billy—now firmly off limits to Sally—understands and might possibly begin to fill. Charting years of their shared history and missed connections, Notes is both a breathtaking love story between two broken people who are unexplainably, inconveniently drawn to each other, and a wry, sharply observant coming of age story that looks at the ways the people we love the most continue to shape our lives long after they’re gone.